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Post Info TOPIC: Different Class's 20th Anniversary


The Boss

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Different Class's 20th Anniversary
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20 bloody years! For the first time ever I was glad to be in a traffic jam tonight as it gave me the chance to listen to it in full and very loud so I could sing along, just like in the good old days.

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Street Operator

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Happy Birthday Diffy! It also therefore marks the 20th anniversary of my first ever album on CD. (Late adopter of frightening new technology).

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The Only Way is Down

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Doesn't seem like two decades ago. I find I cant actually listen to the album at all really. I was kind of burned out by the songs before I had even bought it having heard them so many times in the lead up to its, very late!, release. I know its good though and my inability to listen to it is purely a fault of mine and not the music.

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Different Class

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Was thinking of this yesterday too and played it in full also I was 9 years old (one of the child fans they tried to shake off with Hardcore!) and my 11 year old brother bought it that day on cassette on a very rare day out in the city centre. It was fate! Usually we would never have been there at that time of teh year. I remember HMV had two huge sections at both entrances stacked full of copies of DC and he made the rare plunge of buying an album. We had seen them for the very first time just a few weeks earlier on TOTP performing Mis-Shapes. I was, from that performance, very intrigued by Russell as I couldn't believe a man was wearing make-up. I had never seen that before. We recorded TOTP that week by chance and so could watch it over and over and it was a few weeks before we noticed Mark Webber standing behind Jarvis He's so small! Then they were on TV again on Christmas Day on TOTP. Ah, I miss those old days. Then Disco 2000, the Brits, and seeing them in July 1996. It was so exciting for such a brief period of time between 1995 to 1996. Those days definitely had a particular mood and zeitgeist. Oh to step in a time machine and go back even one last time. I can't hear or see any comparable bands these days or since the late 1990s.



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Master Of The Universe

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1995 was probably among the best years in music, ever. I mean there were some good ones in the 60s, but 1995 saw many many iconic records being released.

I'm glad i was teenager back then, coz that was a good time to be alive.

But if i had to choose, This Is Hardcore still is a better record to me.

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Loss Adjuster

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Night. Free Autobahn. 15ß km/h.

We're making a move
We're making it now
We're coming out of the sidelines
Just put your hands up, it's a raid, yeah

Loud, loud, loud!!!!!!!!!!

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Street Operator

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saw119 wrote:

Doesn't seem like two decades ago. I find I cant actually listen to the album at all really. I was kind of burned out by the songs before I had even bought it having heard them so many times in the lead up to its, very late!, release. I know its good though and my inability to listen to it is purely a fault of mine and not the music.


I've taken to making playlists of 'alternative versions' of these albums for that reason. I have a couple of variations on Different Class - one entirely of bootleg performances (shop around their career for the best examples - Misshapes was awesome in some of the reunion gigs); and one that inculdes B-sides and outtakes (the single version of Disco 2000; remixes of F.E.E.L.I.N.G, extended versions of Live Bed Show, etc). 

Alright, so in a sense I'm just dressing it up in a baby-doll nightie with synthetic fluff - but it looks pretty good, and it fits okay, yeah?





-- Edited by superchob on Sunday 1st of November 2015 01:24:15 PM

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The Only Way is Down

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Still my favourite album ever, even if I wouldn't defend it with quite the same vigour as when I first fell in love with it. But because it was the first record that meant the world to me, and that it's still pretty fantastic all these years later.

NME online have a retrospective thing up on their site for DC. The only new quotes I think, seem to be from their PR person at the time:

www.nme.com/blogs/nme-blogs/pulps-different-class-at-20-an-oral-history-of-the-era-defining-album-that-propelled-jarvis-and-co-t

I think prior to NME going free recently, there's a fair chance a Different Class 20 Years On thing might have got a front cover, or ''a bit'' of the front cover. I don't know if anyone's seen the new-look NME but basically it's turned into a carbon copy of those free ''cultural'' mags that get handed-out outside train stations (Shortlist, Game, Time Out), except not as good, lots of big photos and ads, not much text and music is only part of their remit now, ''indie'' music even less-so. As someone who would have defended the title more than most before this relaunch (it's been trendy to slate it for years but you could tell they still had writers that were passionate writing about old and new music), it's hard not to shake your head at the awful covers of Chris Moyles, Taylor Swift etc. in the last few weeks.

Anyway, back to Pulp...Steve Coogan mentions in his new auto-biography that he burst into tears when he heard Disco 2000 for the first time and the line 'Won't it be strange when we're all fully grown?" as it seemed to him the perfect evocation of being young in the 70's when the year 2000 meant living in space etc.

Also, non DC-related but Elijah Wood's favourite song to do on karaoke is This Is Hardcore.
And Nick Banks was on BBC 5 Live last Wed morning after his team Sheffield Wednesday knocked Arsenal out of the League Cup. He was asked whether Pulp would write a song if Wednesday got to the final. ''Too hard'' apparently. Any new song is too hard, Nick!

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Mis-Shape

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Still my favourite of all time as well. The 31st of October, 1995; I still remember the day vividly. Popping into HMV in Bath after another day spent attending an interminable jobcentre course in the city. I had planned to buy the album, of course, but the 'choose your own front cover' thing really threw me. Were all albums like this these days? I had no idea. I'd never bought a proper album before. I seemed to spend forever trying to decide which cover I liked the most, then worrying about what that cover might say about me to the assistant on the till, and constantly changing my mind. I think eventually I did settle on the wedding shot. I can still recall which songs I got into first - Disco 2000 and Something Changed were the first to hit, Live Bed Show and F.E.E.L.I.N.G.CA.L.L.E.D.L.O.V.E. took the longest. So many years down the line, I still think of that day as a pivotal one in my life, so much so that I kept the till receipt for about ten years afterwards (I still kinda regret losing it in a move somewhere).

I was thinking only recently about how the album could possibly be improved. Pencil Skirt is, for me, the most expendable track. But then, you need something to break up Mis-Shapes and Common People, don't you? You can't have all those anthemics back to back. And, much as I love all the attendant b-sides, P.T.A. and Ansaphone are both far too disposable and Mile End has a bit too much of the His 'N' Hers sound to fit on the album. None of the bonus tracks on the deluxe version cut the mustard either. So Pencil Skirt stays, then. And the conclusion I came to about the album in the end? I wouldn't change a single second of it.


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